Photographs in Cueva-Cubío de Llanío, summer 2009

Digital photos in Cueva-Cubío de Llanío, in the entrance passages and around High Hopes, No High Hopes and Whoopee Hall by Juan Corrin (A1-B1), Harry Long (B2-B4) and John Clarke (B5) with John Clarke, eg A1, Harry Long, eg A2 and Phil Parker, eg B3. A1: Tight rift at the end of No High Hopes. A2: Scaling pole top. A3: Looking down from No High Hopes into High Hopes. A4,5: The calcite pools in Whoopee Hall. B1: The muddy crawl into Whoopee Hall. B2, B3: The passage below the entrance rift. B4: The muddy inlet to High Hopes. B5: An alcove in Whoopee Hall.
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Digital photos in Cueva-Cubío de Llanío , from Wide Open down to station 16 by Harry Long (A1-C2); Juan Corrin (C3, C4) and John Clarke (C5-D4) with Harry Brisland, eg A3; Juan Corrin, eg C2; John Clarke, eg A4(R); Harry Long, eg D3; John Southworth, eg B4(R). B1: Formations at the edge of the 32m aven. A4,5,C1,2: Formations on the way down to the 32m aven. B4, 5: Passage near the pit, station 16. D1,4: Formations in Wide Open. C4: The Jovens' Loop team: L-R: David Mills, Lank Mills, Juan Corrin, Rachel Mills, John Clarke, Paul Gelling, Simon Gelling.
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Digital photos in Cueva-Cubío de Llanío , in the Left Ladders Series by Juan Corrin (A1), Phil Papard (A3-B3) and Steve Martin, (B4-D4) with Harry Long, A1; Pete Smith, eg A3; Steve Martin, eg D3; Alasdair Neill, eg D4. A1: John Clarke investigating the dig into the Left Ladders Series. A2: Excavating the U-tube into the Left Ladders Series. A3-A5: Formations in the southern arm. B1-D4: Formations near the entry point. (?)
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Digital photos in Cueva-Cubío de Llanío, before and in the Pulse Racer by Harry Long (A1-D2); John Clarke (D3-G1, G4) and Phil Parker (G2-G3) with Phil Parker, eg A2; John Clarke, eg A4 and Harry Long, eg D3. A1: Tight crawl below the 4m pitches. A2-C5; D3-E4: Around the head of the p15. D1,2: Crawl through from before The Hub. E5: Bolting at the top of the p4 near the end of the Pulse Racer. F1: Top of the first p4. F2,3: Base and top of the 3.5m climb up to the p4 in the Pulse Racer. F4-G1: The Pulse Racer. G2,3: The p4 near Terminal Decline. G4: Stitched photos of the 3.5m climb up to the p4 in the Pulse Racer.
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Digital photos in Cueva-Cubío de Llanío, at the pit near station 16 by Juan Corrin with John Clarke & Harry Brisland, eg C3; Harry Long, eg E4 (back) & John Southworth, eg C5. A1-B4: Tackling the 18m drop. B5-C2: John Southworth passing the top, muddy slot. C3: Lining. C4: The un-entered passage up from the pitch base. C5: The undescended p15 is behind JS. D1: Looking back up the pitch.
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Digital photos in Cueva-Cubío de Llanío, in the Jovens' Loop by Juan Corrin (A1-B2) and John Clarke (B3,4) with Paul Gelling, eg B1 & Simon Gelling, eg A4. A2,5,B1: Limestone looks to be the same beds as that seen in Torno. A5: The solution-pocketted cross rift near the Jovens' Loop connection. A4: The narrow Jovens' Loop connection - for thin youngsters. B3, B4: Passage and formations in the excavated passage in the base of the middle rift.
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Digital photos in Cueva-Cubío de Llanío, around and beyond Snap, Crackle & Pop by Harry Long (A1-B2), Juan Corrin (B3-D4) and John Clarke (D5-E2) with (in C1, L to R) Harry Brisland, John Southworth, John Clarke & Harry Long. E2: The cracked arch passed en-route to Snap, Crackle & Pop. D3-5; E1: Snap Crackle & Pop before enlargement. B1, B2: Snap Crackle & Pop after enlargement. A2-5; B3-5; C1: The Playing Card House Pushover passage. A1, B3: The pitch top at the end of Playing Card House Pushover. C1-C4: Investigating the pitch at the end of Playing Card House Pushover. D1-2: The pitch from Playing Card House Pushover. C5: Possible climb up into supposed passage at base of pitch.
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Digital photos in Cueva-Cubío de Llanío, beyond Yorkshire Passage by Juan Corrin (A1-E2) and John Clarke (A1) with John Clarke, eg A2 and Harry Brisland, eg C4(L). C3,4: Chamber at the end of Yorkshire Passage, at the top of the first pitch. A1-B2, B5, C1, C5, D1, E3: 1st pitch. C1: Formation west of first pitch. B3-4, D2-5, E1-2: Second pitch against massive limestone to a sandy base.
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